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I regret making this.

Ok, I think it’s been long enough… i’m just going to say it. Are you ready? Alright, here we go…. (inhale)… the Justice League movie sucked.

Granted, it wasn’t as bad as Batman vs Superman or Suicide Squad, but the there’s no denying that the two hours of pedestrian acting, obnoxious CGI, and weird story decisions that made up the movie could suck a golfball through a straw. That’s not even mentioning the fact that the film underperformed at the box office, which I guess isn’t correct on my part because I just now mentioned it.

It’s all a damn shame too, because I genuinely enjoyed Wonder Woman.

Despite all this though, Justice League give me something that I would never in a million years expect it would give me; a newfound love and appreciation for the works of Leonard Cohen. Yeah, I couldn’t believe it either.

It all started when I went and saw the film with a few friends during my first few days back home for Thanksgiving break. Ironically, while the film is a bit of a dumpster fire, I do remember it having a very well crafted opening credits sequence. A montage of how nations around the world dealt with the tragic (yet ultimately meaningless) death of Superman, the sequence did a good job of painting a world that had lost its protector (but it’s OK he comes right back about halfway through the movie). While the imagery of black flags bearing Superman’s insignia and a sad looking Ben Affleck were powerful, what really makes it all work is a cover of Leonard Cohen’s “Everybody Knows” by Norwegian pop artist Sigrid.

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Batman and Flash watch as their box office and Rotten Tomatoes score plummet.

It’s one of the better covers I’ve ever heard, and I was humming the tune long after the film was over. I actually at first believed that the cover was an original song by a talented and clever up and coming pop artist. Once I went to check her out Spotify however, the weird Norwegian pop that started playing quickly reminded me that I still live in the modern music industry.

It wasn’t until I watched Red Letter Media’s Justice League Half in The Bag Episode that I found out who actually wrote the song. During the review, host Mike Stoklasa, mentions off hand that he knew he was in for a bad time time when the opening credits of the film were accompanied by a  crappy Leonard Cohen cover.From there, things made a lot of more sense, and I immediately went digging for the original version.

Up until that point, I had only really known Leonard Cohen as the hallelujah guy who “probably died or something”. Once I finally got a chance to pick through his discography and read up on the man. It took only a few days for me to quickly fall in love with the man and his discography. His songs were contemplative, thoughtful, and could genuinely make me feel really emotional times. Cohen’s low and almost conversational vocals and silky smooth classical guitar playing was a hypotonic combination, and during those first few days I remember listening to songs like “Suzanne” “Chelsea Hotel No. 2” and “Who by Fire” on almost near constant repeat.

Then there are those lyrics… those sweet, sweet leonard cohen lyrics.

Those were the reasons and that was New York. We were running for the money and the flesh, and that was called love for the workers in song, probably still is for those of them left,” you don’t get that anywhere else.

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The man himself.

The timing was also pretty good, as I was already going through the obligatory college freshman folk/americana singer songwriter phase, so adding Mr. Cohen to my Bob Dylan, Johnny Cash, Tom Waits, and Warren Zevon filled playlists was a very natural choice.

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Aquaman is still lame.

The whole thing has me a little frustrated if I’m being honest. It made me realize how narrow minded I can be when it comes to music, which can be a little problematic considering that I pride myself on being a music aficionado. I could name you every Pink Floyd or Beatles song, but somehow it took watching a lame superhero movie for me to come to appreciate the discography of one of the great american songwriters. It’s a little embarrassing actually.

So what’s the moral here? Same old crap really: have an open mind, try new things, don’t put all of your eggs in one basket  blah blah blah…

But in all seriousness though, you would do well to keep your ears open. Who knows, maybe the opening credits of Fifty Shades Freed will be just as life changing.

 

 

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