5 Artists That Owned the F*ck Out of 2017

2017 has been an incredible year for fashion, music, and art. Since the marvelous year of music and culture is coming to an end, I decided to make a short list of some artists that seriously kicked ass in the music scene this year.

Note: 2/5 on this list are groups with MULTIPLE artists in them. Since they’re groups, they count as one for this list. 🙂

  1. Gucci Mane- Gucci Mane was released from jail last September, and by the grace of God this man has been going absolutely IN on the music scene. He’s been so productive from dropping more than 3 albums starting with “Everybody Looking” when he got out of prison, to being featured on some of the hottest songs of 2017 such as “Slippery” by Migos and the “Crew” remix by GoldLink. Not only has Gucci been dropping fire albums and hit after hit but he’s been maintaining a positive, fresh image and everybody seems to love it! Gucci also got married to Keyshia Ka’Oir this year. Big congrats to them, but can we talk about that wedding? The all white theme? The 75 THOUSAND DOLLAR cake? ICONIC.                               giphy

This is Gucci’s world, we’re just living in it.

4. Lil Uzi Vert- Not trying to include any bias into this blog post (actually yes I am it’s my blog with my own opinion) but Lil Uzi Vert is f*cking popping. I first became a fan of Lil Uzi Vert when I heard some of his music on soundcloud and once I heard Luv Is Rage I was like “yup, I f*ck with him”. But let’s talk about his role in 2017. Not only has Uzi been featured on several top charting songs in 2017, but his own song XO Tour Life has a video directed by Off-White designer Virgil Abloh with a current whopping 122 MILLION views. Uzi has gained so much popularity throughout 2017 for his “rockstar” rapper aesthetic and I think it’s so dope. It’s 2017, Hip Hop is obviously changing by the minute and the fact that Lil Uzi Vert is gaining the interest of millions of people by having his own unique style in the rap scene is what shows that he’s owned this year. How can you dislike Uzi and his notorious shoulder roll? He def wasn’t left off Bad and Boujee.                                giphy1     

3.  A$AP Mob- A$AP Mob is for the culture. Not only is A$AP Mob a very well known rap group that’s been around for a couple years now, but they are style and fashion icons. The Mob’s very own A$AP Ant launched a Skate Label named Marino Infantry and snapped on it nevertheless. A$AP Ant also just dropped several hoodies that you can find at http://store.marinoinfantry.com . Along with Marino Infantry, A$AP Twelvyy dropped his LYBB collection as well (you already know I had to cop). Even A$AP Nast went ahead and collabed with Converse and dropped two gorgeous pairs of shoes. The whole Mob also just did a campaign for Calvin Klein! It’s been a very busy year for them. Though the whole Mob is talented through and through themselves, as one group together they are unstoppable. They dropped Cozy Tapes Vol. 2 this year with features from artists such as Gucci Mane, Chief Keef, and Lil Yachty. The Mob also has just wrapped up their Too Cozy Tour, which I attended btw and it was f*cking INSANE (the story is for another blog post another time). What I really like about A$AP Mob is the wild energy and love for the youth they project. 2017 was a great year for them.

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  1. Cardi B- SAID LIL B*TCH U CAN’T F*CK WITH ME IF U WANTED TO- ahem. Excuse me, I still don’t know how to act when I hear Bodak Yellow. Is there more I really need to say? Cardi B damn near made the most iconic song of 2017, IDGAF who you are but are you even human if you hear Bodak Yellow and don’t get in your zone? Bodak Yellow became number 1 on the Billboard 100 chart in September and stayed there for THREE weeks straight. Cardi is the first female to have a rap song reach number 1 on the Billboard 100 since 1998. THAT MAKES ME SO F*CKING HAPPY. Besides Bodak Yellow, Cardi B has other hot ass songs such as  “Lick” ft. Offset and “MotorSport”. Not only is she killing the mainly male-dominated rap game, but she has been featured on the cover of Rolling Stone magazine and has been headlining shows all year. Cardi B has even been nominated for multiple awards, INCLUDING two Grammy’s for Best Rap Song and Best Rap Performance. Annnnddddd, SHE’S ENGAGED TO OFFSET! My girl is really set.giphy3

1. Migos- MIGOS! Did ya’ll read that in their adlib voice? Cause that’s the voice I typed it in. Where do I start with Migos? The fact that Culture is an album filled with all hits? The fact that Quavo, Offset, and Takeoff have all been doing hot ass features all year? The fact that the Migos are a couple of the most iced out rappers in the game? They really just too raw for no f*cking reason. Like I’m mad at how smooth they are with it. They dropped a couple hits around the past couple of years like “Handsome and Wealthy” and “Fight Night”, and thought “Damn, mfs still sleeping on us, we waking everybody up in 2017”. They really have me shook because I haven’t heard a Migos song I don’t like yet and I’m not mad at it. They really made 2017 their b*tch. They topped the charts with Bad and Boujee and T-Shirt, earlier in the year and now with MotorSport and their featured song with Gucci Mane, “I Get the Bag”. I can’t wait to see what they have in store for 2018. giphy4

Whether you like these artists or not, you can’t deny the moves they made this year. 2017 has been all for the culture and I can’t wait to see what 2018 has in store.

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Review: The Surround Me Tour

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Sweden has produced an abundance of talented individuals ranging from Tove Lo to Lykke Li to Avicii, and so on.

Considering my family originates from Sweden, I always take great pride in artists who share the same origins. The sense of connectedness makes me root for them that much more.

On October 21, I had the pleasure to see the indie-pop artist from Sweden, Léon, perform live at Chicago’s Lincoln Hall.

Continue reading “Review: The Surround Me Tour”

Support Your Female Artists

We all should know by now that award shows are absolute garbage. Something that should be held to recognize achievements and events within the music industry as a whole, ends up only going to the top precenters and completely disregards underground and/or independent artists. And not to mention, a large amount of the people behind the scenes of these shows are either racist or sexist. Or both.  

Frank Ocean showed his disapproval of award shows when he chose to abstain from the 2017 Grammy Award Show. Ocean said, “I think the infrastructure of the awarding system and the nomination system and screening system is dated. I’d rather this be my Colin Kaepernick moment for the Grammys than sit there in the audience.”

And I completely agree with his statement and the action he chose to make.

But even though I already know that award shows are a joke, I still couldn’t help but to be irked when the American Music Awards revealed their nominations today and presented a disappointing amount of female nominees.

Not a single female artist was nominated for the following categories:

  • Artist of the Year
  • Collab of the Year
  • Best Duo / Group
  • Best Pop Album
  • Tour of the Year
  • Video of the Year

There are so many incredible female artists, in the mainstream and underground music scene, who have been delivering an abundance of talent this year, but are going unrecognized. The lack of appreciation for these ladies in the simplest term is: frustrating.

Confident women expressing themselves is empowering and is something we need to pay more attention to.

With that being said, here are some female musicians I think everyone should check and support, because they truly deserve it:  

Continue reading “Support Your Female Artists”

Green Day: Wrigley Field

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Once upon a time, around 2009, in a place not so far called the United Center I attended my first concert. I was familiar with the band, but still had a lot to learn and many songs to hear in their 14 album discography.

Where better to fall in love than at a concert? Not with any one person specifically, but with the music, the experience, the energy of not only the performers but the crowd, my fellow music lovers. I was 11 years old when I first saw Green Day. Although the seats my brother and I were in were the farthest section from the stage, the smell of weed hovered, the phone camera quality sucked in 2009, and the noise of Billie Joe Armstrong singing into the mic overwhelmed me, this first concert laid the foundation for my love of concerts.

At that age I knew, just like I know now at 20, concerts were where I’d always feel most at home, no matter how small or big an arena was, if it was outside in wet grass, mud, or inside with seats and AC. Whether this feeling has to do with the artist performing or actual environment at a concert, I’m not sure.

Fast forward 9 years later: Wrigley Field, my third Green Day concert, and I’m still overwhelmed by the connections, love, and rage. Although it has been 8 years since that first concert, I can always expect a couple of things: a great experience with the crowd, drunk bunny opening the show and Green Day playing something for every fan.

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The setlist changes a bit over the years, accommodating their newest released songs and jamming in classics from their most popular albums. Green Day’s setlist was filled with songs ranging from their second album, Kerplunk (1991) to their latest, Revolution Radio (2016). As a hardcore Green Day fan the almost 3 hour show wasn’t enough, songs I loved like Amy from their 2012 album, Dos! still would never make it onto the setlist. However, for their longtime fans they played songs like 2,000 light years away from their second album, Kerplunk. And of course the classics for every Green Day fan: She, Welcome to Paradise, When I come around and Basketcase from Dookie (1994); American Idiot, St. Jimmy, Jesus of Suburbia, Holiday, and Boulevard of Broken Dreams from American Idiot (2004). Some other songs touched on in the 2 and a half hour set were: Hitchin A Ride and King For A Day from Nimrod (1997); Minority from Warning (2000); Mass Hysteria, East Jesus Nowhere and 21 Guns from 21st Century Breakdown (2009). They also played songs from their newest album Revolution Radio (2016): Still Breathing and Forever Now were some of my favorites. Everyone in the stadium held up their phone flashlights as songs like 21 guns played, the sight was enough for even the security crews to stop, stare and smile.

In Green Day’s four part documentary, Green Day: The Early Years (2017), “The separation between audience and the band, we weren’t used to that in our scene” Drummer Tre Cool says in response to how it felt playing Woodstock and Lollapalooza in 1994. “They were so far away, I felt like we weren’t connecting in some way,” Billie Joe adds. 23 years later, these same guys that were nervous playing a festival, are now playing stadiums as if it were a small club.

Green Day has been playing stadiums since the American Idiot era, but never Wrigley Field. This also wasn’t their first time playing a sports field, at the beginning of August they played the Oakland Coliseum, home of the Oakland Athletics.

“I never wanted to turn my back on the intimacy that you get from a crowd, I love playing arenas and I love playing stadiums, that shit is amazing but to this day we will always play venues where we can get as close as we can to the audience.” – Billie Joe Armstrong, Green Day: The Early Years (2017).

Even when playing a stadium like Wrigley Field, Green Day managed to interact with the audience every chance they got: bringing someone on stage to stage dive, handing the mic to someone in the crowd to sing, having EVERYONE sing along to “Hey Jude” by the Beatles, and “Satisfaction” by The Rolling Stones.

They also kept up with their little tradition of having one lucky fan play the guitar onstage. During the cover of “Knowledge” originally by Operation Ivy, Green Day pulls one lucky audience member on stage, “who knows how to play 3 chords?” Billie Joe asks, the lucky fan then plays the three chorded song on a guitar handed to them, at the end of the song Billie Joe points and says, “you get to keep that guitar.” The first time Green Day ever brought someone on stage to play with them was during the Insomniac Tour (4th album, 1995).

In Green Day Wrigley Field Press Conference In The Sound Lounge when asked if they ever thought they’d be playing Wrigley Field, Billie Joe joked he thought it’d be more likely to be playing shortstop than performing. The band also reminisced about how many cities they had to play in Illinois before being able to play Chicago, “because we had to play so many other cities before playing Chicago, it’s very near and dear to our hearts,” says Billie Joe.

After about 2 and 1/2 hours of an amazing Green Day show, it ended even better than it started, the beginning middle and end was nothing short of amazing. Ending with a small firework show that had everyone in Wrigley Field in awe, the red and white Confetti stamped with “Green Day” soon followed.

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My K-Pop Awakening Part 3: I Saw Both My Bias Groups In One Month

안녕하세요! UIC Radio 소니아 입니다.

It’s been such a wild ride.

So, I know undergoing this ~K-Pop Awakening~ (I now say with a hint of an eyeroll @ myself) has been weird, not only for me but also for my friends and probably everyone I know as well. K-pop, as I learned, can pretty much completely take over a person’s life, and I now realize I am a living example of this. Where is my shame, though? Do I have any? I really don’t think so anymore.

I learned a lot by entering the k-pop community. First: there is rarely such a thing as a casual fan. You either hardcore stan a group (or more than one, in most cases) or you don’t. Gray areas don’t exist, and once you catch feelings for a group, there’s no turning back.

Second: k-pop fans have no chill. Contrasting to my last point, this can vary from fan to fan. You can show your love for your group in small ways such as wearing items of jewelry or clothing adorned with the group’s relative symbols or your bias’s name, whereas other times fan groups with numbers in the hundreds or thousands get together and purchase ad space in Times Square to honor their bias group’s anniversary or plaster their faces on a bus for their birthdays. How they manage to pull it off is beyond me, but there is no denying the love they have for these groups and members is real.

Third: the k-pop community is one of the most accepting communities I’ve ever been a part of. Aside from fan wars (which is a completely different story), every person I’ve met and disclosed my “I don’t know what is happening to me but I love it” spiel to has given me a look of sympathy and said “it’s okay, I’ve been there too and I know what you’re going through and you will be okay,” followed by an exchange of how we discovered our bias groups and/or consequently gotten sucked into the k-pop void. It’s comforting to know that having your entire mindset and lifestyle taken over by this stuff is not only not unusual, but it is rampant, and you form an immediate bond with everyone else who this has happened to. In losing yourself, you find others.


Fourth: K-pop groups don’t come to America very often, but when they do, everything happens so fast. I am used to western artists announcing a tour anywhere from several months to more than a year before they actually hit your city. This gives you plenty of time to plan when you can go, maybe save up for a ticket or at least purchase it and make the money back later, but for k-pop groups, you get maybe a month or two’s notice before they begin a tour. This is stressful as h e c k. Not only are you bewildered that your bias group is coming to America at all, can you actually go? And if you can, can you afford it?? (Ticket prices are no joke, even the cheapest seats are half of one of my minimum-wage pay checks). If you’re able to take off school or work (which many, if not most k-pop fans go to that extent to do), you’re set… that is, as long as you’re part of a major US city. Likely, if you live anywhere that’s not NYC, LA, or Chicago, among other factors (being underage/can’t travel by yourself, can’t drive, can’t take off school/work, etc), you have to face the agony knowing your favorite group is in your country for once but it’s impossible for you to go see them.

Being a k-pop fan is not easy, especially when your dream is to see your favorite groups live even once in your life. In stanning these groups, both your pride and your wallet often ache with frustration.

That being said, in a surprising turn of events…

I got to see both of my bias groups within a month of each other!! Something I thought I would never get to do in this lifetime!!! Especially considering I’ve only adopted this lifestyle for a mere few months, whereas most of the k-pop fans I’ve met have been into this stuff for years. I’d be lucky to catch even one group’s show, but for once the stars (and my bank account, miraculously) aligned and I managed to see both of the two k-pop groups I fell in love with over the fall! Continue reading “My K-Pop Awakening Part 3: I Saw Both My Bias Groups In One Month”

A Working Spring

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Courtesy of Lost TV.

Three jobs and twenty one credit hours have kept me off of UIC Radio’s front page this semester, much to the dismay of my twelve readers (I ❤ you guys & gals). A busy spring also kept Nick V, Cheech, and me from sitting down in the same room together for about two months. When we finally found overlapping free time, we spent the better part of two hours animatedly talking about Syria, Chicago’s water, and the prison system. But between catching up and conversations eventually bleeding into politics, I managed to ask a few questions and listen to some phenomenal answers.

I wanted to interview the FreeFAM founders for a second time. Last fall, they’d impressed me with their business-minded approach to their genre. Without sacrificing individuality and independence, they seek to create a brand to support all kinds of artists. Coming from a city with a music culture that’s very “out-for-yourself,” their message is refreshing. FAM is in the name.

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Courtesy of Lost TV.

 

An obligatory catch-up is needed first, as these guys have not sat still since the last time they visited UIC Radio’s studio. They’ve been playing gigs, traveling, and working with producers like CB Mix, credited on Chance’s Coloring BookThey’re working with LRG to create clothing and Pat Banahan of Lost TV to make videos. The group just released a music video for Bless the Bottles, (my personal favorite so far) featuring the same BMW I8 King Louie and Vonmar used in their own video. They even played a show at College of DuPage, which only sounds mildly impressive until you learn COD won’t back anyone without a tax ID and business number. They even have a website. FreeFAM is officially in business.

On Tuesday, I asked Nick V and Cheech about branding. I wanted to know what audience FreeFAM would draw as a full-blown music label complete with t-shirts and dispensaries. Both brothers said “local” immediately. They don’t want to limit themselves to Chicago, but their focus is building up a platform to support all members of music production. Their circle includes engineers and videographers, animators, and even a few family members for legal counsel. The want anyone who’s drawn to an image of family, brothers, positive moves, and a platform that’s there to serve their clients. Cheech commented that “non-threatening artists” are what resonate in Chicago today.

 

Nick said he wants people with energy. “Energy to party, to help, to create.” He’s got a vision of FreeFAM as a charity and force for good in Chicago. We inevitably broke into ranting about senators and bills, but Nick had a ton to say about water quality. It was endearing and inspiring and had me walking home thinking how one could add water filters to a music label…But that’s beside the point.

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Courtesy of Lost TV.

I asked about brands that could “make or break” an artist. Lil Wayne and Cash Money were brought up, as was Future, who got in a legal battle with his manager and was forced to release two albums ahead of time so he could start making his own money. Some artists get caught promoting BS; Cheech brought up the Fyre Festival flop. But Jay-Z’s own streaming website was mentioned as a positive. “It all depends on if a brand will encourage or control you,” Nick told me. A label obviously wants a return on investment and will have to control an artist’s image if money is lost. So who’s got their label working for them? Cheech laughed at this thought and brought up Kanye. “His label has been taking so much money from his music. Someone’s been making 50% off all of his songs.”

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Photo courtesy of Lost TV.

Controlling the artist is beyond the aims of the Freedom Family. Both brothers explained respect for their artist is the only reason they’d sign someone, and there’s no need to control someone they respect. They don’t intend to cultivate a brand that interferes with music production or limits the evolution and development of an artist.

“At the end of the day, music is the most important. But music won’t be heard without branding.” Other groups have PR people to handle web pages, social media, and scheduling. But for FreeFAM, “It’s just me and Cheech,” Nick says. The work is taking a toll; Nick V’s been off social media and left with what sounds like carpal tunnel in his hands and a prescription for range-of-motion exercises. “Shouldn’t be constantly posting, anyway,” he admitted. I told him not to worry about it. “It’s always nice to hear from family.”

 

Have a Scien-tastic Day!

American Rage and Suburban Malaise: A Study of the Urban Punk Underground

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Martha’s Got a Limp Wrist (Photo by Christian Contreras)

This piece has been censored for the UIC Radio blog.

It’s difficult to write about punk without draining it of its chaos.

The greatest punk shows are soaked in sweat and blown into the red. The best punk lyrics are incomprehensible, the best punk venues include a highly suspect dirty mattress in the corner, and the best punk showgoer is one who will sweat all over you, push you into other strangers, scream in your face, and then let you bum a cigarette at the end of the night. When writing about punk neglects to include that sense of disorder and entropy, you get sterile talk of what is, above all, the art of violent, cathartic release.

When I was a teenager, DIY punk shows in Chicago were my safe haven. Growing up gay, there are very few spaces in which you know that you’re not the only outcast- which isn’t to say that I was some sort of hunchbacked adolescent hermit, but when you come out of the closet early, there’s a very thin line you have to walk, knowing all the eyes that rest on you. Getting drunk, then moshing and screaming and sweating in trashed apartments on the weekends was just the sort of chaotic release I needed to keep from cracking under the pressure.

There’s an energy at every great punk show that finds its way up your spine and lets you know you aren’t the only one who just needs a f*cking break. There are systems in place working against all of us- some more complicated or institutionalized than others- but the fun of a punk show is sourced from the moment it allows for young, frustrated, bored, and fed up people to stop needing to think for a while.

Eventually though, you stop being seventeen years old and it’s no longer socially acceptable to struggle through an Aquafina bottle full of whiskey, sweat through your shirt and make out with a high schooler at the end of the night.

Continue reading “American Rage and Suburban Malaise: A Study of the Urban Punk Underground”

Tips for Music Festival & Concert Goers

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A couple of useful tips to keep in mind when attending some of those awesome festivals and concerts I mentioned in my last blog post:

Stay hydrated

Don’t be that person that gets carried out from the crowd during the show 😦 it makes us sad and you don’t get to enjoy the show.
Whether it’s water you’re sharing with the people you’re with or water bottles some of the nice security guards offer – drink it, stay hydrated. No, beer doesn’t count as staying hydrated, neither does juice – H2O bro.
Also, if water is allowed during the entrance bring more than one bottle! If not, drink your 8 glasses before going to the concert / festival but also use the bathroom first – Porta potties suck.

Wear appropriate clothing

Don’t wear a jacket because it’s cold out — I made this mistake once. I wore my north face windbreaker to a concert and regretted it one song in because I was front row and everyone’s body heat almost made me pass out even though I was drinking water. When it’s hot, wear clothes you’ll be comfortable in (for example tank tops and sports bras).

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Wear comfy shoes

It’s hard figuring out what shoes are best. I’ve worn running shoes to concerts before but I made the mistake of wearing NEW running shoes…to riot fest…after it rained a whole day. Those new white running shoes are now brown. I also wore converse to some concerts and even before the headliner performed – my feet were killing me! I had waited hours standing.

Be nice

Don’t be the jerk to start a fight because someone accidently pushes you, I’ve made so many friends just by apologizing before and after a concert to the people around me if I was pushing them or if my hair gets in their way. Everyone is there to enjoy themselves and have a good time.

Purses

Always a purse with a zipper ladies you don’t want people being able to open your purse without you noticing and stealing your phone or wallet. Side purses are my go to because I don’t need to be bothered during a show holding my purse. Also a book bag!! Especially for music festivals, essentials: water !!
And…

Portable chargers

These are life savers. Make sure to fully charge them before a concert.

Lastly,

You don’t need that merch

The merch table is always exciting, and the merch guy is always charming but don’t spend your paycheck on merch like some people (I’m pointing at myself).

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Troye Sivan Takes On Coachella

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The incredibly talented Australian pop star, Troye Sivan, surprised his fans with a surprise performance at the 2017 Coachella music festival.

Sivan joined DJ Martin Garrix on the Sahara Stage during his set to drop their new song together, “There For You.

This is the first piece of new music that we have gotten from Sivan since his 2015 debut album, Blue Neighbourhood, and we couldn’t be more excited about it.

Sivan has been hinting on his Twitter that a new album is in the works, and new music will be coming our way in the, hopefully, near future.

There For You” is a brilliant song with a beautiful message. It’s pop heavy and radio-ready, and while it may be a great song to bop to, the lyrics hold a lot in them.

“I got you, I promise

Let me be honest

Love is a road that goes both ways

When your tears roll down your pillow like a river

I’ll be there for you

But you gotta be there for me too”

Communication is the most important thing in any relationship. You cannot expect someone to always be there for you, if you cannot be there for them. Communication, and as stated in the song, love, goes both ways. One sided relationships are toxic and unfair and I cannot stress this enough.

There For You” is a song I feel like everyone can relate to at some point in life, and songs like this are perfect to find comfort in. Sweet and soft.

With that being said, I cannot wait to hear what Sivan has planned for his sophomore album.

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As a longtime fan of Troye Sivan (and a fan of music and talent in general,) it’s been an emotional ride watching Sivan go from posting quirky videos on YouTube, to preforming on the iconic Coachella stage.

It just goes to show that if you’re passionate about something, and you want your dream bad enough, hard work and dedication pays off, and living the life you’ve always dreamed of, is possible.

Lust For Life

Lana Del Rey – the goddess of dark pop –has done it yet again

On Mistajam’s BBC Radio 1 show, Lana Del Rey premiered the title track from her soon-to- be-released LP, Lust For Life, featuring The Weeknd.

Lana and Abel have teamed up in the past with Prisoner, Stargirl Interlude, and Party Monster; the two just mesh well together. Their eerie, silky vocals complement each other in the best way, and they proved that to be true yet again with the 1960’s inspired Lust For Life.

Lust For Life serves a sensual vibe, with layered synths, and honey-like vocals. As someone who has been a fan of Del Rey since Born To Die, I can honestly say I am satisfied with the new release and cannot wait to hear what is yet to come.

In February, Del Rey released the first single from Lust For Life, Love, as well as its video. There has not been a confirmation yet on when her fifth LP will be released, but you can read her interview with Courtney Love for more details here. 

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