Wow, that was one hell of a movie. I’ll be honest, Superhero fatigue had already set in by the time I sat down in the Theater, but by the time the credits rolled it had been replaced by not only a new respect for the MCU, but also a bunch of new reasons to visit my therapist.
The culmination of ten years of post credit scenes, Avengers: Infinity War finally smashed its way into cinemas last week; earning the praise of both critics and nerds alike. I had the pleasure of seeing it over the weekend, and honestly can’t stop thinking about all of the crazy stuff that happened over the course of its two hour and forty minute runtime. So without further ado, here are the top six wackiest things that happened in Avengers: Infinity War. Why six? The six infinity stones of course! (And because i’m lazy.)
We’ve all been curious about how it would go down if he came back. How would people react? Would he manage to get to the same level of influence that he was back in his heyday, or would he barely even be able to function due to the shock of seeing the modern world? Who exactly am I referring too? Adolf Hitler, of course.
This question is answered in the 2015 German film “Look Who’s Back”, (known in Germany as “Er Ist Wieder Da”. The film was directed by David Wnendt, and is based off of the satirical novel of the same name by Timur Vermes.
The film opens with Adolf Hitler, played damn near perfectly (or perfectly to me at least, I’ve never met Hitler) by German actor Oliver Masucci, suddenly waking up in a park where his bunker used to be. Disoriented and in shock, Hitler wanders the streets of Berlin and asks random people for information on his situation, but everyone thinks he’s just some crazy street performer. Eventually, he manages to be taken in by the owner of a small newsstand. From there, Hitler spends his time reading about what the world has gone through in the last seventy years. After staying a few nights in the newsstand, Hitler eventually meets a small time director named Sawatzki, played by Fabian Busch. The two then go on a cross country journey to make something that can be pitched to the TV network Sawatzki used to work for.
So Black Panther just came out and it was pretty good. Another addition to the canon of the monstrosity that is the Marvel Cinematic Universe, the film managed to set itself apart from the others through its originality, social relevance, and the introduction of a villain that was for once more interesting than a piece of driftwood.
It’s so good in fact that it’s inspired me to start a whole new series of articles called “Like You Care”, a list series where I’ll be ranking some of personal favorite things that will cover everything from movies to music to pasta sauce. One thing to note is that these lists will be tackling my personal favorite entries, and because of my horrifically poor taste, may not always be the best. Because of the release of Black Panther and boundless originality, the first will cover MCU films.Continue reading “Like You Care: My Top 5 MCU Films”→
As of recent, I have been seeing many individuals complain about Hip-Hop and how it is in a very bad state currently. As the genre continues to get bigger, of course there will a lack of diversity in most popular songs and can be easily shown by just looking at the Billboard Hot 100.
Ok, I think it’s been long enough… i’m just going to say it. Are you ready? Alright, here we go…. (inhale)… the Justice League movie sucked.
Granted, it wasn’t as bad as Batman vs Superman or Suicide Squad, but the there’s no denying that the two hours of pedestrian acting, obnoxious CGI, and weird story decisions that made up the movie could suck a golfball through a straw. That’s not even mentioning the fact that the film underperformed at the box office, which I guess isn’t correct on my part because I just now mentioned it.
It’s all a damn shame too, because I genuinely enjoyed Wonder Woman.
Despite all this though, Justice League give me something that I would never in a million years expect it would give me; a newfound love and appreciation for the works of Leonard Cohen. Yeah, I couldn’t believe it either.
It all started when I went and saw the film with a few friends during my first few days back home for Thanksgiving break. Ironically, while the film is a bit of a dumpster fire, I do remember it having a very well crafted opening credits sequence. A montage of how nations around the world dealt with the tragic (yet ultimately meaningless) death of Superman, the sequence did a good job of painting a world that had lost its protector (but it’s OK he comes right back about halfway through the movie). While the imagery of black flags bearing Superman’s insignia and a sad looking Ben Affleck were powerful, what really makes it all work is a cover of Leonard Cohen’s “Everybody Knows” by Norwegian pop artist Sigrid.
It’s one of the better covers I’ve ever heard, and I was humming the tune long after the film was over. I actually at first believed that the cover was an original song by a talented and clever up and coming pop artist. Once I went to check her out Spotify however, the weird Norwegian pop that started playing quickly reminded me that I still live in the modern music industry.
It wasn’t until I watched Red Letter Media’s Justice League Half in The Bag Episode that I found out who actually wrote the song. During the review, host Mike Stoklasa, mentions off hand that he knew he was in for a bad time time when the opening credits of the film were accompanied by a crappy Leonard Cohen cover.From there, things made a lot of more sense, and I immediately went digging for the original version.
Up until that point, I had only really known Leonard Cohen as the hallelujah guy who “probably died or something”. Once I finally got a chance to pick through his discography and read up on the man. It took only a few days for me to quickly fall in love with the man and his discography. His songs were contemplative, thoughtful, and could genuinely make me feel really emotional times. Cohen’s low and almost conversational vocals and silky smooth classical guitar playing was a hypotonic combination, and during those first few days I remember listening to songs like “Suzanne” “Chelsea Hotel No. 2” and “Who by Fire” on almost near constant repeat.
Then there are those lyrics… those sweet, sweet leonard cohen lyrics.
“Those were the reasons and that was New York. We were running for the money and the flesh, and that was called love for the workers in song, probably still is for those of them left,” you don’t get that anywhere else.
The timing was also pretty good, as I was already going through the obligatory college freshman folk/americana singer songwriter phase, so adding Mr. Cohen to my Bob Dylan, Johnny Cash, Tom Waits, and Warren Zevon filled playlists was a very natural choice.
The whole thing has me a little frustrated if I’m being honest. It made me realize how narrow minded I can be when it comes to music, which can be a little problematic considering that I pride myself on being a music aficionado. I could name you every Pink Floyd or Beatles song, but somehow it took watching a lame superhero movie for me to come to appreciate the discography of one of the great american songwriters. It’s a little embarrassing actually.
So what’s the moral here? Same old crap really: have an open mind, try new things, don’t put all of your eggs in one basket blah blah blah…
But in all seriousness though, you would do well to keep your ears open. Who knows, maybe the opening credits of Fifty Shades Freed will be just as life changing.
Name a Netflix movie off of the top of your head. I’ll wait. It’s hard right? While series like Stranger Things and Making a Murderer have become household names, trying to think of a memorable Netflix original movie is like trying to name one of the non-Beyonce members of Destiny’s Child.
This is a real shame considering that a lot of Netflix original films are very weird, enjoyable, and genuinely half decent films that are often better than they have any damn right to be. There’s a good amount of variety between most of the films, and you get this sense that Netflix were a lot more willing to give the people behind them more creative freedom than their big budget counterparts.
In order to best describe this, I want you to picture the world of cinema as the european continent. All of the well known, big budget blockbusters and oscar contenders are like the equally well known western european countries like England and France, in that they’re cream of the crop, tried and true, and beloved by all. Netflix movies dwell a bit more to the north east, and are more akin to your Estonia’s and your Latvia’s; feisty little guys with rougher, smellier exteriors that hide hearts of gold.
So now that this introduction has gone well beyond the 200 word mark, let’s actually discuss some of the Netflix original films that I saw within the past few weeks-ish. Also, i’m not going to talk about Bright because I haven’t seen it and it looks stupid.
2017 was easily a successful year for Top Dawg Entertainment.
With SZA’s rise to stardom with her debut album “CTRL” that as an album, showcased a woman’s growth throughout to becoming an individual that is more independent and requiring less validation from others. Many of the songs did very well on the charts and SZA is now on the forefront for the label with great potential to be a great artist. Also with legendary artist: Kendrick Lamar dropping his 4th LP: “DAMN.” that solidified the artist’s ability to delivery from all forefronts of Hip-Hop. “DAMN.” was easily his most successful album in terms of sales to date with many tracks such as DNA, LOVE, and HUMBLE charting very high on the Billboard Hot 100. The way Kendrick was able to appeal to a more mainstream audience without sacrificing his quality of music was incredible.
Last week Disney acquired Fox and various of it’s properties such as: Avatar, FX, National Geographic, The Simpsons and most importantly the X-Men and the Fantastic Four which now makes the film rights of Marvel characters a whole for the most part. Continue reading “A Family Once More”→
2017 is almost at an end and though it has been a terrible year for politics, and basically everything else, 2017 however, has been an incredible year for music.
Back in March, I put out an article highlighting some of my favorite albums that had been released early on in the year. Since then, we have been graced with even more outstanding, 10/10, listen-from-start-to-finish albums, so I would like to take a moment to showcase my top 15 picks (in a very particular order) of 2017:
In honor of this hellish semester coming to a close, I thought I would keep things lighthearted for my last Monday blog post of the season by sharing some of the awesome cosplays I witnessed at Chicago Comic & Entertainment Expo (C2E2) yesterday.