Yo, people of the internet! I am BACK for the month, and I’m so excited for this blog. March is one of my favorite months of the year, and this year’s March just happened to be an amazing month for music!
With everything that is played on my show, you all probably think I have way too much happening in the skull area of my body. So, I want to give everyone a little insight as to what’s going on in my brain, without having to look at the “Recently Played” section on my Spotify. The solution I came to was to tell everyone about the hidden (and not so hidden) gems in my music library for the month. Some of the music I post will be at the top of charts, some of the music won’t be your style, some will be a band’s biggest hit that I’ve just been happening to listen to a lot, and some will be completely unknown to you!
So, to start it off, here’s just a couple of my favorite artists for March, a little bit about them, and some song suggestions:
Hey guys! So, uh, sorry in advance for the lack of variety in this month’s edition of good music. It’s been kind of a pain to put this together because I’ve been REALLY into like three bands all month, so I was definitely scrambling to get all of my eggs together for the month (did you see what I did there??). Regardless, I would never leave you guys hanging; I promise, I’ll always have some good music on here, and I won’t just put stuff on here to fill the blank spots. BUT ANYWAY, let’s get into the prerecorded message for every single one of my blogs!
Halleloo everyone, I’m back! There literally have been so many new albums this year already, and they’ve all been AMAZING! Every single new release this month (that I listened to) is on this list in some way, shape, or form. Believe it or not, though, even with all the new music this year, this probably has to be my most difficult blog to date. Probably because I was listening to the same three songs over and over all month, BUT LET’S NOT THINK ABOUT THAT! LET’S THINK ABOUT ALL THE WONDERFUL THINGS ON THIS MONTH’S BLOG!
2018 marks the beginning of a slightly more polished version of Trash Talk. Consider this semester the start of Trash Talk season 2. We had an awkward and rough go of things in the first season, but now we’ve sorted out most of the kinks.
Hey, hey, everyone! Another month gone, and another year gone! WELCOME TO 8102 EVERYONE! In this new advanced year, instruments are no longer around, and are now artifacts preserved in a museum. Robots have taken over the world, and, of course, music. I’m kidding, of course; that’s a total nightmare! In all honesty, though, 2018 is bound to have some great music, and there’s already some releases coming up this month that I am SO excited about! But enough about new music, let’s have a look at the music that’s already been released, and has made it onto my playlists this past month! This month has honestly been a little different from past months: I’ve had less of a variety this month! As you’ll be able to tell, it has definitely been a rock-filled month, since almost all I listened to was rock-based music. But you’ll also see that there were a few hidden exceptions to this!
Hey all! Wow, has it been a busy month. I’ve been SO busy with homework, my job, this (my other, unofficial, job), and every possible other thing you could think of. BUT I have found time to get some new artists, songs, and albums into my music library. I’m going to be honest though, there definitely are a couple people that I listened to A TON in October that I continued to listen to in November. And that’s okay! We all have those artists that we always go back to no matter what. Continue reading “The Daily Blend’s November Top Ten 2017”→
Like most of the UIC Radio DJs and music lovers in general, I’ve been compiling my end of year lists. Because my interest is mainly in electronic and dance music, I’ve decided to focus my list on the best tracks of 2017. The past year has been huge for electronic music. Techno continued it’s current wave of popularity, with new voices both refining and warping the genre into new directions. Lo-Fi house died and then came back, club music got deconstructed and rebuilt into a noisy mess, and push for more representation from female, queer, and POC DJ’s helped bring new voices to the table. Here’s what I took away as the best of the year:
10. DJ Boring-Goodbye Michael
This little wonder of a remix is only number 10 because it’s technically a release from the the late hours of 2016. Created in the wake of George Michael’s passing last December, DJ Boring takes the late singer-songwriter’s 2003 track “Amazing” and downgrades it for the lo-fi house generation. The result is a remix that improves upon its source materiel by letting Michael’s melodic genius shine through the distorted bass and tape hiss.
Hey everyone! My name’s Sam, and welcome to my blog! I will be doing this blog once a month along with my show, The Daily Blend, which is every Monday at 4 PM. So first, introductions. I am a first-year student from Rockford, IL, which is like two (ish) hours north of here. I went to a high school with a performing arts program, which I was heavily involved in! I have also been a dancer for the past 14 years. When not doing my show or homework, I play for UIC’s rugby team and play and write music with some friends (not that it’s actually going anywhere…). I love all different styles of music, although I tend to favorite anything with guitars and drums over other music genres (oops). On my show, I play so much different music to give everyone something diverse to listen to, because let’s be honest, no one listens to only one style of music their entire life. Continue reading “The Daily Blend’s October Top Ten 2017”→
Three jobs and twenty one credit hours have kept me off of UIC Radio’s front page this semester, much to the dismay of my twelve readers (I ❤ you guys & gals). A busy spring also kept Nick V, Cheech, and me from sitting down in the same room together for about two months. When we finally found overlapping free time, we spent the better part of two hours animatedly talking about Syria, Chicago’s water, and the prison system. But between catching up and conversations eventually bleeding into politics, I managed to ask a few questions and listen to some phenomenal answers.
I wanted to interview the FreeFAM founders for a second time. Last fall, they’d impressed me with their business-minded approach to their genre. Without sacrificing individuality and independence, they seek to create a brand to support all kinds of artists. Coming from a city with a music culture that’s very “out-for-yourself,” their message is refreshing. FAM is in the name.
An obligatory catch-up is needed first, as these guys have not sat still since the last time they visited UIC Radio’s studio. They’ve been playing gigs, traveling, and working with producers like CB Mix, credited on Chance’s Coloring Book. They’re working with LRG to create clothing and Pat Banahan of Lost TV to make videos. The group just released a music video for Bless the Bottles, (my personal favorite so far) featuring the same BMW I8 King Louie and Vonmar used in their own video. They even played a show at College of DuPage, which only sounds mildly impressive until you learn COD won’t back anyone without a tax ID and business number. They even have a website. FreeFAM is officially in business.
On Tuesday, I asked Nick V and Cheech about branding. I wanted to know what audience FreeFAM would draw as a full-blown music label complete with t-shirts and dispensaries. Both brothers said “local” immediately. They don’t want to limit themselves to Chicago, but their focus is building up a platform to support all members of music production. Their circle includes engineers and videographers, animators, and even a few family members for legal counsel. The want anyone who’s drawn to an image of family, brothers, positive moves, and a platform that’s there to serve their clients. Cheech commented that “non-threatening artists” are what resonate in Chicago today.
Nick said he wants people with energy. “Energy to party, to help, to create.” He’s got a vision of FreeFAM as a charity and force for good in Chicago. We inevitably broke into ranting about senators and bills, but Nick had a ton to say about water quality. It was endearing and inspiring and had me walking home thinking how one could add water filters to a music label…But that’s beside the point.
I asked about brands that could “make or break” an artist. Lil Wayne and Cash Money were brought up, as was Future, who got in a legal battle with his manager and was forced to release two albums ahead of time so he could start making his own money. Some artists get caught promoting BS; Cheech brought up the Fyre Festival flop. But Jay-Z’s own streaming website was mentioned as a positive. “It all depends on if a brand will encourage or control you,” Nick told me. A label obviously wants a return on investment and will have to control an artist’s image if money is lost. So who’s got their label working for them? Cheech laughed at this thought and brought up Kanye. “His label has been taking so much money from his music. Someone’s been making 50% off all of his songs.”
Controlling the artist is beyond the aims of the Freedom Family. Both brothers explained respect for their artist is the only reason they’d sign someone, and there’s no need to control someone they respect. They don’t intend to cultivate a brand that interferes with music production or limits the evolution and development of an artist.
“At the end of the day, music is the most important. But music won’t be heard without branding.” Other groups have PR people to handle web pages, social media, and scheduling. But for FreeFAM, “It’s just me and Cheech,” Nick says. The work is taking a toll; Nick V’s been off social media and left with what sounds like carpal tunnel in his hands and a prescription for range-of-motion exercises. “Shouldn’t be constantly posting, anyway,” he admitted. I told him not to worry about it. “It’s always nice to hear from family.”