Arcade Fire was last spotted at this year’s Lollapalooza. They return to town on October 30th, but this time, they have come with only one other musical compatriot (The Breeders).
I don’t have much to say about the upcoming show; Arcade Fire is fantastic live, and I urge anyone who is either fans of Arcade Fire or fans of electronic indie rock to see the show next Monday.
You guys can grab tickets here.
Anyway, in preparation for the upcoming show, I wanted to list the Arcade Fire albums, from my personal opinion on worst to best.
5. Everything Now
I hate to jump on the bandwagon to place the most recent album last for any artist or band, but I think that in this case, Arcade Fire had somewhat of a hiccup with “Everything Now”. I still think that it is a solid album, but among the rest of Arcade Fire’s discography, it falls short. This album sounds the most synthetic and electronic in Arcade Fire’s productions. The most notable negative of the album is the fluff. The concept of infinity in the album seems to be lost due to a lot of weaker tracks that take away from the cynical message of the entire album. I noticed that the album seems to split itself up with the tracks Infinite Content (1) and Infinite Content (2). These tracks are much weaker than the rest, and the position of the songs in the middle of the album breaks up the smooth continuity that I think should have been present in this album. I do like the message of the album, that being that the world is constantly choking on its own abundance of resources, and that pain will continue infinitely with the cultures we force ourselves to have. My personal favorite track on the album is Electric Blue. It stands out among the rest, and Regine Chassagne’s vocals are very much welcomed.
4. Neon Bible
“Neon Bible” introduces somewhat of a similar theme to Everything Now, but on a much grander scale. Everything Now was more about American cynicism and pain, while Neon Bible is about much more: dangers of religion, the government, and personal dread. Basically all of Arcade Fire’s albums talk about pain, but Neon Bible tackles this issue in the biggest way. There are a lot of Bruce Springsteen and American themes in how this album presents itself. The album is lower on my list due to my personal dislike for the flow of the album; almost all of the tracks stand out, but they do not work well with each other. Each track seems to be performing their own thing, and with concept albums like this, I think that the spread of themes was a bit too wide with Neon Bible. My favorite track on this album owns its album’s namesake: Neon Bible.
“Reflektor” is Arcade Fire’s largest album. The full version is almost double the length of Neon Bible’s. On CD, it is split up on two separate CDs, which makes this a double album. The music themes align to Haitian style music, making this album arguably the most unique sounding. The themes discussed in this album deal with the same religion and death that all Arcade Fire albums deal with. This album is an easy listen and is not overburdening in its themes. However, I do think that the album drags on due to its great length. It is does not carry the world like Neon Bible, and is akin to a personal journey more than a global one. A strange parallel that I relate with this album is that it sounds like a dark version of Vampire Weekend’s Contra. My favorite track on this album is Supersymmetry. (I first heard Supersymmetry in a trailer for the movie “Her” by Spike Jonze; I highly recommend it)
Arcade Fire’s debut album “Funeral” already starts off with a somber tone in its title. The themes in this album may seem obvious, but I want to say that this album deals with death the least. I think that this album talks more about the celebration of someone’s life rather than their death. This album is the most conventionally rock, but it is very satisfying to listen to each and every track. The album is a much more digestible piece of music than “Reflektor”, clocking in at 48 minutes. One theme that it covers very surprisingly are hometowns; Funeral has a backstory of youth living in small towns around the world, from America to Russia to France. I believe that Funeral has the deepest story in all of Arcade Fire’s albums. I would say that this is Arcade Fire’s best album, but I still personally enjoy the following album more. My favorite track in this album is “Neighborhood #2 (Laika)”.
1. The Suburbs
I can listen to this album any day of the week. “The Suburbs” draws so many parallels to my own coming of age and it is such a fantastic album to listen to. The deaths of childhood are prevalent in the themes of The Suburbs. It talks about the evolution of technology, the blind happiness of childhood, and the irreversible fate and cynicism of adulthood. The Suburbs is the most conceptual album out of all of Arcade Fire’s, and while “Funeral” had the most in depth, The Suburbs follows how a child would grow up in an average American suburb, along with the trials and tribulations that accompany the coming of age. It is a pretty long album, clocking in at 62 minutes, but I love every second of it. It is very much conventional rock in a musical sense, and it I would say that this album is the most relatable out of all of them. Even if you didn’t grow up in a suburb, everyone eventually grows up or dies before they do. My favorite track in this album is “Suburban War”.
– Matt Cuartero